written on August 16, 2007 08:51PM
Yesterday I picked up my preordered copy of Persona 3 from the local Gamestop. It's the special edition so it includes a very nice artbook and a copy of the  original soundtrack featuring all of the ingame music. Other than boasting 70+ hours of gameplay, it has a very interesting [read: fun!] form of leveling up called Social Linking. At night you run around in dungeons battling enemies while in the daytime your character has to go to school, attend classes as normal, meet new friends and begin new social alliances. The more your peers like you, the stronger your social links become, and the stronger your Persona will become. It gets much more complicated than this, naturally, so I'll leave it at that. I never want my posts to become epic tests of reading stamina.
written on August 12, 2007 05:14PM
Okay, it's granted that I wasn't missed. I promise to post more here in the next few days. I've got other blogs at vox.com, mog.com, 1up.com, tribe.net [*ugh* on that one],  and one or two that don't spring to mind at the moment. I'm trying to divide my time evenly amongst them.

I'm also studying Japanese and looking for a new job, so my days are all set. But I'll be back for a post here on Monday.

Thank you to anyone and everyone who's bothered looking at my profile.


Mate ne!


+IKi+
written on August 22, 2006 03:10AM

Poetess and spoken-word diva Nicole Blackman says this about her track Victim from the 1996 album Dead Inside a collaboration made with The Golden Palominos [a trio comprised of drummer Anton Fier, ex-Psychedelic Furs guitarist Knox Chandler, and vocalist/lyricist Nicole Blackman]:


”...One of the reasons that “Victim” was so important to me [is] because we’re in a culture that makes serial killers into such antiheroes. We know so much about where Jeffrey Dahlmer went to school, that he tortured pets, and we know his middle name and how many girlfriends or boyfriends he had, and what his favorite cereal was. You cannot name a single one of the people he killed. You cannot name any of those victims’ pets or their occupations. Anything. We don’t know anything about them. They’re simply: “Cheerleader killed in hotel room. Beheaded.” They’re known by how they were killed and how they were picked. We’ve stripped them of all their dignity. The only people who remember them are their families and friends.”


Victim
[from 1997’s Blood Sugar by Nicole Blackman]


I feel the motion of the car before I open my eyes.
The air is blue-black, brown-black, black-black.
Smell of gas, oil, animals.
I’m in the trunk.



My wrists and ankles tied.
Tape over my mouth
it almost covers my nose
but I can breathe barely.
I must have been here for hours,
everything’s stiff and my head throbs
like someone’s drumming on china.



The car stops.
He turns off the motor—but there are no traffic sounds.
No people sounds. No wind. What place has no wind?
I turn my head towards the sounds
like people watch radios when something terrible happens.



My palms are sweating. Where am I?
The trunk squeaks as he lifts it up and the sun blinds me.
He almost looks like a faceless Jesus surrounded by light.
He pulls me out of the trunk and bangs my head against the door.
I try to cry out, but it comes like a hum.



He drags me, half-standing, along a dirt road into a house.
I can’t see any other houses and it looks like a farm.
The screen door bangs behind me and I feel a deep, deep pressure inside.
All the rules have changed here.



I’m dragged down a hall like a bag and I look for a phone, other doors.
Nothing but bare floors and brown boxes in small rooms.
He pulls me into the bathroom
and I almost crack my head as he pushes me onto the floor.
Tilts his head to the side and gazes at me
as if I was a pet then walks out.



I’m lying there for a long time, trying to get the tape off of me.
My eyes are tearing. I don’t make a sound.
I can’t get up and I keep rolling from side to side, trying not to make noise.



I’ve got to get him to talk to me.
If I can get this thing off my face I can talk to him.
I’ll tell him my name.
Have you killed other women in here?
I’m thinking you’ve got hundreds of them nailed down,
hung on walls, hanging from ceiling fans
swinging dead in summer wind.



Why did you pick me?
If I had stayed to finish at the library
I would have been there twenty minutes longer
maybe I’d have been OK.
Would have rushed into the house, books piled up in my arms like a baby,
and blurted explanations why I was sorry.
So sorry I’m late everyone.



Would you have waited for me anyway?
Would you have picked another woman?
Would I have read about her in the paper and said
oh my god, I was there that night…
and called all my friends in a panic.
Telling them then how much I loved them
as if I’d never have the chance again.



I wonder what everyone is doing now. Putting up signs.
Showing my picture on the evening news. Calling old friends.
Maybe I’m not even considered missing yet.



The family will fall apart and my parents will go crazy. Slowly.
My brother will be so quiet at the funeral and insist the casket be closed.
(I never even told anyone what kind of funeral I wanted when I died.)



Maybe years from now they’ll find my skeleton
on the floor here and they’ll have to use dental records to identify me.
My family will say “At least we know now.
We always hoped she was alive somewhere.
We just hope she’s in peace.”



When I sleep my dreams are crazy—I’m flying over fields.
I don’t think I sleep for more than twenty minutes and when I wake up,
it feels like I’m under a heavy blanket. I’m still here.


As I wake up I hear a dog barking in the distance
and I think I’m in my parents’ house in South Carolina.
When I open my eyes, there’s a shotgun pressed between them.
I’ll never get married.
I’ll never have kids.
I’ll never go to Europe.
I’ll never learn to play piano.
I’ll never write a book.



The last thing I hear is a click.


 


 


written on August 18, 2006 12:59AM

Seeing Hocico live was one of the best concert experiences I’ve ever had. The quality of their lives music is as good as their studio recordings. Here’s something from the fine contributors at YouTube.


[Hocico - A Broken Glass]

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written on August 18, 2006 01:12AM

The Birthday Massacre is an exciting little synthpop [synthrock?] band from London, Ontario, Canada. I'm terribly fond of their guitars and synthwork. Their first full album, Nothing & Nowhere [circa 2002], wore a permanent slot into my WinAmp playlist for months with its vibrant sounds and colorful songs. Their original website is still active at http://www.nothingandnowhere.com/flash4.html. It's an awesome piece of web design [in my ultrahumble opinion].





[Video Kid from 2002 - Nothing & Nowhere]

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[Lover's End from 2005's Violet - performed live at Mera Luna 2005 Festival]

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written on August 8, 2006 05:00AM

The Amazing Screw-On Head is a animated series being developed for the Sci-Fi channel from the creator of Hellboy, Mike Mignola. Mr Mignola's comicstyle is extremely moody, with eerie shadows adding lots of personality to their quirky characters. The excellant voice talent for this pilot is done by Paul Giamatti [of Pig Vomit fame from The Howard Stern movie], Frasiers's David Hyde Pierce, and Saturday Night Live alumni Molly Shannon. You can see this pilot episode in parts below courtesy of a certain Y.Tube, or a speedier and less interrupted version of the pilot episode here .


Part Ichi


Part Ni


Part San

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